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What a miracle we have in the WWW. I'd never heard of this author before reading this laudatory review essay, Romance and Right Order: Marion Crawford’s “Saracinesca” (Stephen Schmalhofer, November 11th, 2023, Imaginative Conservative). But, of course, in the Internet age it was easy to find an etext of the novel and it is terrific. It is sort of an inverse Three Musketeers, with romance interrupted by sword play and scheming rather than vice versa. The handsome and morally upright Giovanni Saricinesca is the most eligible batchelor in mid-19th Century Rome. His father, Prince Saricinesca is anxious to marry him off, but Giovanni falls impossibly in love with Corona d’Astrardente, whose own family has married her off to a wealthy old Duke out of financial desperation. The star-crossed couple are too religious and decent to have an affair and they can obviously not marry, but everyone can perceive how attracted to each other they are, which produces jealousies and plots behind their backs. In one of the most satisfying twists of the tale both the Prince and the Duke, while they stand in the way of the pair, turn out to be devoted to them each in their own way. Rather than being cartoonish bad guys they prove themselves decent men too. It is little wonder that, in their day, Crawford outsold Henry James. No one has ever enjoyed one of the latter's novels the way you'll love this one.

Interestingly, just as James's most read work these days is his horror story, The Turn of the Screw (1898), Crawford is mainly remembered for his influential short story, The Upper Berth (1894), which has some claim to having invented the "cosmic horror" genre. H. P. Lovecraft himself acknowledge it as a predecessor to his stories and, particularly in the use of a narrator relating a tale that was told to him, you can see how James borrowed from it for his novella. There's even a great reading of the story by our favorite, Tony Walker at Classic Ghost Stories. So read or listen to avoid the following SPOILER:
"There is something in that berth!" he cried, in a strange voice, his eyes almost starting from his head. "Hold the door, while I look—it shall not escape us, whatever it is!"

But instead of taking his place, I sprang upon the lower bed, and seized something which lay in the upper berth.

It was something ghostly, horrible beyond words, and it moved in my grip. It was like the body of a man long drowned, and yet it moved, and had the strength of ten men living; but I gripped it with all my might—the slippery, oozy, horrible thing. The dead white eyes seemed to stare at me out of the dusk; the putrid odour of rank sea-water was about it, and its shiny hair hung in foul wet curls over its dead face. I wrestled with the dead thing; it thrust itself upon me and forced me back and nearly broke my arms; it wound its corpse's arms about my neck, the living death, and overpowered me, so that I, at last, cried aloud and fell, and left my hold.

As I fell the thing sprang across me, and seemed to throw itself upon the captain. When I last saw him on his feet his face was white and his lips set. It seemed to me that he struck a violent blow at the dead being, and then he, too, fell forward upon his face, with an inarticulate cry of horror.

The thing paused an instant, seeming to hover over his prostrate body, and I could have screamed again for very fright, but I had no voice left. The thing vanished suddenly, and it seemed to my disturbed senses that it made its exit through the open port, though how that was possible, considering the smallness of the aperture, is more than any one can tell. I lay a long time upon the floor, and the captain lay beside me. At last I partially recovered my senses and moved, and I instantly knew that my arm was broken—the small bone of the left forearm near the wrist.

I got upon my feet somehow, and with my remaining hand I tried to raise the captain. He groaned and moved, and at last came to himself. He was not hurt, but he seemed badly stunned.

Well, do you want to hear any more? There is nothing more. That is the end of my story. The carpenter carried out his scheme of running half a dozen four-inch screws through the door of one hundred and five; and if ever you take a passage in the Kamtschatka, you may ask for a berth in that state-room. You will be told that it is engaged—yes—it is engaged by that dead thing.
Meanwhile, after reading some Crawford--or prior--make sure to read about his fascinating life, my favorite detail of which is that as a young man he seems to have been the boy toy of Isabella Stewart Gardner. Beat that for an unexpected factoid.


(Reviewed:)

Grade: (A+)


Websites:

See also:

Francis Crawford (2 books reviewed)
Horror
Short Stories
Francis Crawford Links:

    -WIKIPEDIA: Francis Marion Crawford
    -ENTRY: F. Marion Crawford American author (Encyclopaedia Britannica)
    -ENTRY: F Marion Crawford (Fantastic Fiction)
    -FILMOGRAPHY: Francis Marion Crawford(1854-1909) (IMDB)
    -ENTRY: F. Marion Crawford (Literature Network)
    -ENTRY: Francis Marion Crawford (New Advent Catholic Encyclopedia)
    -ENTRY: F. Marion Crawford (Tellers of Weird Tales)
    -PAPERS: F. Marion Crawford papers Houghton Library, Harvard University)
    -OBIT: Marion Crawford, Novelist, is Dead (NY Times, 4/09, 1909)[PDF]
    -AUDIO: The Upper Berth (Tony Walker, Classic Ghost Stories)
    -AUDIO: The Upper Berth (Literal Systems)
    -AUDIO: Episode 24 - The Upper Berth (Curious Tales)
    -ETEXT The Upper Berth (Project Gutenberg)
    -AUDIO: The Dead Smile by F. Marion Crawford (Dead Meat Podcast)
    -AUDIO: For the Blood is the Life by F. Marion Crawford (For the Blood is the Life by F. Marion Crawford)
    -ETEXT: For the Blood is the Life by F. Marion Crawford (Library of America)
    -AUDIO ARCHIVE: FIVE TERRIFYING F. MARION CRAWFORD STORIES (Horror Deluxe)
    -AUDIO: The Dead Smile (Find the Path)
    -ETEXT ARCHIVES: Books by Crawford, F. Marion (Francis Marion) (Project Gutenberg)
    -ARCHIVES: Marion Crawford (Internet Archive)
    -ETEXT ARCHIVE: Francis Marion Crawford (Open Library: Internet Archive)
    -AUDIO ARCHIVES: Francis Marion Crawford (LibriVox)
    -WIKIPEDIA: Saracinesca
    -BOOK SITE: Saracinesca by F. Marion Crawford (Cluny Media)
    -PODCAST: discussion of 'The Upper Berth' by F. Marion Crawford (Nathan Ballingrud, The Ghost Story Book Club)
    -ESSAY: CRAWFORD AND ISABELLA STEWART GARDNER: Was it just a friendship or a May-December romance? (Isabella Stewart Gardner Museum, 3/05/24)
    -ESSAY: Francis Marion Crawford and the Italian Novel (Calabria: The Other Italy)
    -ESSAY: F. Marion Crawford: Grand Romantic (Russell Kirk, Foreword to An F. Marion Crawford Companion by John C. Moran)
    -ESSAY: Chapter 9. The Eighties and Their Kin: Section 2. Francis Marion Crawford (Carl Van Doren, The American Novel. 1921)
    -ESSAY: F. Marion Crawford's Gruesomely Visceral, In-Your-Face Horror Stories (M. Grant Kellermeyer, Mar 3, 2018, Old Style Tales)
    -ESSAY: A FORGOTTEN CATHOLIC NOVELIST (Stephen Schmalhofer, 5 . 9 . 23, First Things)
    -ESSAY: A Great Romantic: A new introduction to Sant’ Ilario by F. Marion Crawford, in memory of Gerald Russello.(Stephen Schmalhofer, American Conservative)
    -ESSAY: TOLD TO GET A JOB, FRANCIS MARION CRAWFORD WRITES A BEST-SELLER INSTEAD (New England Historical Society)
    -ESSAY: “The Constant Question of Finances”: The Ordeal of F. Marion Crawford (Neal R. Shipley, Studies in English)
    -ESSAY: Finding the “Ideal”: F. Marion Crawford’s Mystical Theology and Literary Form in Mr. Isaacs (Niyati Sharma, December 2023Victorian Popular Fictions Journal
    -REVIEW ESSAY: One of Those Plans: F. Marion Crawford’s “For the Blood is the Life” (Ruthanna Emrys, Anne M. Pillsworth, August 9, 2023, reactor)
    -REVIEW ESSAY: Roman Romanticism: On Francis Marion Crawford’s Saracinesca tetralogy. (Stephen Schmalhofer, June 2023, New Criterion)
    -REVIEW ESSAY: Romance and Right Order: Marion Crawford’s “Saracinesca” (Stephen Schmalhofer, November 11th, 2023, Imaginative Conservative)
    -REVIEW: of The Witch of Prague by F. Marion Crawford (Vintage Pop Fictions)
    -REVIEW: of Stradellaby F. Marion Crawford (The Idle Woman)
    -REVIEW: of The Doll’s Ghost by F. Marion Crawford (Sara L. Uckelman, SFF Reviews)
    -REVIEW: of The Upper Berth by F. Marion Crawford (RUTHANNA EMRYS, ANNE M. PILLSWORTH, Reactor)
    -REVIEW: of For the Blood is the Life by F. Marion Crawford (Adventures Fantastic)
    -REVIEW: of Wandering Ghosts by F. Marion Crawford (G.S. Thomas, Darkworlds Quarterly)
    -REVIEW: of The Screaming Skull by F. Marion Crawford (10toinfinity)
    -REVIEW: of The Screaming Skull bt F. Marion Crawford (RUTHANNA EMRYS, ANNE M. PILLSWORTH, Reactor)
    -REVIEW: of The Screaming Skull (Claire Armitstead, The Guardian)
    -REVIEW: of The Screaming Skull (Matthew Rettino, Archaeology of Weird Fiction Challenge)
    -REVIEW of The Screaming Skull (Paper Knife)
    -REVIEW: of The Dead Smile by Francis Marion Crawford (1899) (Paula Cappa)

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