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We’ve written plenty of times about how haunting it is to be out in a dense woodland in New Hampshire and stumble across a stone wall, or, as above, barbed wire fencing nothing. The imagination staggers at the recognition that ancestors once clear-cut these lands, plowed up the stones they used to make the walls, then farmed what is now returned to wilderness. In his maybe most famous story, H. P. Lovecraft cleverly sought a supernatural explanation for the disappearance of humans from these spaces. It is his sort of cosmic horror at its best, because it builds off of something very real.

West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut. There are dark narrow glens where the trees slope fantastically, and where thin brooklets trickle without ever having caught the glint of sunlight. On the gentler slopes there are farms, ancient and rocky, with squat, moss-coated cottages brooding eternally over old New England secrets in the lee of great ledges; but these are all vacant now, the wide chimneys crumbling and the shingled sides bulging perilously beneath low gambrel roofs.

The old folk have gone away, and foreigners do not like to live there. French-Canadians have tried it, Italians have tried it, and the Poles have come and departed. It is not because of anything that can be seen or heard or handled, but because of something that is imagined. The place is not good for the imagination, and does not bring restful dreams at night. It must be this which keeps the foreigners away, for old Ammi Pierce has never told them of anything he recalls from the strange days. Ammi, whose head has been a little queer for years, is the only one who still remains, or who ever talks of the strange days; and he dares to do this because his house is so near the open fields and the travelled roads around Arkham.

There was once a road over the hills and through the valleys, that ran straight where the blasted heath is now; but people ceased to use it and a new road was laid curving far toward the south. Traces of the old one can still be found amidst the weeds of a returning wilderness, and some of them will doubtless linger even when half the hollows are flooded for the new reservoir. Then the dark woods will be cut down and the blasted heath will slumber far below blue waters whose surface will mirror the sky and ripple in the sun. And the secrets of the strange days will be one with the deep’s secrets; one with the hidden lore of old ocean, and all the mystery of primal earth.

When I went into the hills and vales to survey for the new reservoir they told me the place was evil. They told me this in Arkham, and because that is a very old town full of witch legends I thought the evil must be something which grandams had whispered to children through centuries. The name “blasted heath” seemed to me very odd and theatrical, and I wondered how it had come into the folklore of a Puritan people. Then I saw that dark westward tangle of glens and slopes for myself, and ceased to wonder at anything besides its own elder mystery. It was morning when I saw it, but shadow lurked always there. The trees grew too thickly, and their trunks were too big for any healthy New England wood. There was too much silence in the dim alleys between them, and the floor was too soft with the dank moss and mattings of infinite years of decay.

In the open spaces, mostly along the line of the old road, there were little hillside farms; sometimes with all the buildings standing, sometimes with only one or two, and sometimes with only a lone chimney or fast-filling cellar. Weeds and briers reigned, and furtive wild things rustled in the undergrowth. Upon everything was a haze of restlessness and oppression; a touch of the unreal and the grotesque, as if some vital element of perspective or chiaroscuro were awry. I did not wonder that the foreigners would not stay, for this was no region to sleep in. It was too much like a landscape of Salvator Rosa; too much like some forbidden woodcut in a tale of terror.

But even all this was not so bad as the blasted heath. I knew it the moment I came upon it at the bottom of a spacious valley; for no other name could fit such a thing, or any other thing fit such a name. It was as if the poet had coined the phrase from having seen this one particular region. It must, I thought as I viewed it, be the outcome of a fire; but why had nothing new ever grown over those five acres of grey desolation that sprawled open to the sky like a great spot eaten by acid in the woods and fields? It lay largely to the north of the ancient road line, but encroached a little on the other side. I felt an odd reluctance about approaching, and did so at last only because my business took me through and past it. There was no vegetation of any kind on that broad expanse, but only a fine grey dust or ash which no wind seemed ever to blow about. The trees near it were sickly and stunted, and many dead trunks stood or lay rotting at the rim. As I walked hurriedly by I saw the tumbled bricks and stones of an old chimney and cellar on my right, and the yawning black maw of an abandoned well whose stagnant vapours played strange tricks with the hues of the sunlight. Even the long, dark woodland climb beyond seemed welcome in contrast, and I marvelled no more at the frightened whispers of Arkham people. There had been no house or ruin near; even in the old days the place must have been lonely and remote. And at twilight, dreading to repass that ominous spot, I walked circuitously back to the town by the curving road on the south. I vaguely wished some clouds would gather, for an odd timidity about the deep skyey voids above had crept into my soul.
Throughout the story he keeps cranking that feeling of isolation and dread as a meteor that lans on a New England farm corrupts every nearby living thing, as evinced by emissions of unEarthly colors. You’ll be struck by how much Alex Garland’s adaptation of Annihilation owes to this story. But, then again, while he had his own influences–including the great forgotten Francis Marion Crawford, plausibly the father of cosmic horror–Lovecraft despite some rather relent personal beliefs and a decidedly lowbrow publishing history is one of America’s most influential authors. This is a good place to start if you want to see why.


(Reviewed:)

Grade: (B+)


Websites:

See also:

Howard Lovecraft (4 books reviewed)
Horror
Short Stories
Howard Lovecraft Links:

    -WIKIPEDIA: H. P. Lovecraft
    -The H. P. Lovecraft Archive
    -BLOG: Deep Cuts in a Lovecraftian Vein
    -S. T. Joshi Blog
    -WIKI: H. P. Lovecraft Wiki
    -WIKIPEDIA: THe Colour Out of Space
    -S. T. Joshi Blog
    -ENTRY: The Colour Out of Space (Faded Page)
    -ENTRY: Data Page for “The Colour out of Space” (hplovecraft.com)
    -ENTRY: The Colour Out of Space (H. P. Lovecraft Wiki)
    -ENTRY: The Colour Out of Space (ISF Data Base)
    -INDEX: H.P. Lovecraft (Project Gutenberg)
    -INDEX: H. P. Lovecraft (Internet Archive)
    -VIDEO ARCHIVES: H. P. Lovecraft (YouTube)
    -AUDIO ARCHIVE: H. P. Lovecraft (LibriVox)
    -ESSAY: Supernatural Horror in Literature (H. P. Lovecraft, 1927, The Recluse)
    -AUDIO: The Color Out Of Space by H P Lovecraft (Trey Downey, 31 October 2024< The Great Stories)
    -AUDIO: The Colour Out of Space (LibriVox)
    -AUDIO: "The Colour Out of Space" by H. P. Lovecraft (A HorrorBabble Production)
    -VIDEO ARCHIVES: “colour out of space” (YouTube)
    -ETEXT: Colour Out of Space (Project Gutenberg)
    -PDF: The Colour Out of Space (Repositorio)
    -ESSAY: The Unlikely Verse of H.P. Lovecraft: Conjuring horror from the darkest deep down things. (Ed Simon,July 10, 2024, Hedgehog Review)
    -ESSAY: Bridges Across the Void in H.P. Lovecraft’s Mythos (Nathaniel Birzer, November 17, 2023, Online Library of Liberty)
    -ESSAY: The Unlikely Verse of H.P. Lovecraft: Conjuring horror from the darkest deep down things. (Ed Simon, 7/10/24, Hedgehog Review)
    -ESSAY: “A dismal throng of vague spectres”: Reading Knowledge and Identity in H.P. Lovecraft’s “The Shadow Over Innsmouth” Through Nathaniel Hawthorne’s “My Kinsman, Major Molineux” (Janice Lynne Deitner Articles, Issue 13 2024, Irish Journal of American Studies)
    -ESSAY: Terrifying vistas of reality: H P Lovecraft, the master of cosmic horror stories, was a philosopher who believed in the total insignificance of humanity (Sam Howard, 3/28/24, Aeon)
    -ESSAY: The Biggest Little-Known Influence on H. P. Lovecraft (Benjamin Welton, The Airship)
    -ESSAY: H. P. Lovecraft, Prophet Of AGI: We've entered the age of the three-letter agency -- AGI, ASI, NHI -- and Lovecraft saw it coming. (JON STOKES, APR 12, 2023, Return)
    -ESSAY: The Tricky Terrors of H.P. Lovecraft: A little racist, sometimes a bit dull, but undeniably influential and wholly original. (BILL RYAN, OCTOBER 13, 2022, The Bulwark)
    -ESSAY: H.P. Lovecraft's Afterlife: He was an atheist and a nihilist, and he's more influential than ever. (JOHN J. MILLER, March 15, 2005, National Review)
    -ESSAY: Book vs film: The Colour Out Of Space by HP Lovecraft (Alexander Lane, 12/02/2024)
    -ESSAY: It’s Just a Color, but it Burns: Discussing Color Out of Space (2019) in Film and Text ( Trevor Ruth, The Baram House)
    -STUDY GUIDE: The Colour Out of Space (TV Tropes)
    -STUDY GUIDE: The Colour Out of Space (Super Summary)
    -STUDY GUIDE: The Colour Out of Space (Study.com)
    -ESSAY: ANNIHILATION Is the Peak of Cosmic HorrorKyle Anderson, Feb 28 2018, Nerdist)
    -ESSAY: Green Mountain Mysteries: A Taxonomy of Vermont Noir: Sarah Stewart Taylor considers the many fictional horrors and murders of her beloved home state (Sarah Stewart Taylor, 8/15/24, Crime Reads)
    -REVIEW: of The Colour Out of Space by H. P. Lovecraft (Sean McBride)
    -REVIEW: of The Colour Out of Space (Stuff Jeff Reads)
    -REVIEW: of The Colour Out of Space (James Reasoner, Rough Edges)
    -REVIEW: of The Colour Out of Space (Jerry Jose, 10th and Noble
    -REVIEW: of The Colour Out of Space (Lance Eaton, By Any Other Nerd)
    -REVIEW: of

FILM:
   
-FILMOGRAPHY: H. P. Lovecraft (IMDB)
    -FILMOGRAPHY: The Color Out of Space (2019) (IMDB)
    -WIKIPEDIA: Color Out of Space (film)
    -FILMOGRAPHY: Color Out of Space (Metacritic)
    -FILMOGRAPHY: Color Out of Space (Rotten Tomatoes)
    -ESSAY: Books‘Annihilation’ and the Adaptive Legacy of H.P. Lovecraft’s “The Colour Out of Space” (Meagan Navarro, 1/21/19, Bloody Disgusting)
    -VIDEO ESSAY: The Annihilation Movie is Lovecraftian?! (Modern Fantastic, May 26, 2021(
    -ESSAY: The Lovecraftian nature of 'Annihilation' (Harris Culbertson, 4/06/23, City Live)
    -ESSAY: Unspeakable Cinema: The 5 Most Lovecraftian Horror Films (Fride Cinema, January 24, 2020)
    ESSAY: On the other side of destruction: Lovecraft, annihilation and the self (Laurence Barratt-Manning, March 2019, Overland)
    ESSAY: Alex Garland’s Most Underrated Movie is a Cosmic Horror Masterpiece: “It'll grow until it encompasses everything.” (Alex Welch, Feb. 20, 2024, Inverse)
    ESSAY:
   
ESSAY:
   
ESSAY:
   
-FILM REVIEW: The Color Out of Space (Matthew Pungitore, DMR Books)
    -FILM REVIEW: The Color Out of Space (Tom Chick, Quarter of Three)
    -FILM REVIEW: The Color Out of Space (By Matt Ruff)
    -FILM REVIEW: The Color Out of Space (C. T. Phipps, Before We Go Blog)
    -FILM REVIEW: The Color Out of Space (Nathan Rabin’s Happy Place)
    -FILM REVIEW: The Color Out of Space (Matthew Kirshenblatt, The Horror Doctor)
    -FILM REVIEW: The Color Out of Space (Peter Opaskar, Ars Technica)
    -FILM REVIEW: The Color Out of Space (Cliff Evans, A Lifetime in Dark Rooms)
    -FILM REVIEW: The Color Out of Space (Theresa DeLucci, Nightfire)
    -FILM REVIEW: The Color Out of Space (Christian Zilko, Alison Foreman, Indie Wire)
    -FILM REVIEW: The Color Out of Space (Lúcio Reis-Filho, SFRA Review)
    -FILM REVIEW: The Color Out of Space (Avery Anderson, Tulane Hullabaloo)

Book-related and General Links: