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Though generally forgotten now, George Jean Nathan, along with H. L. Mencken, made The Smart Set an important literary magazine before co-founding the American Mercury and the American Spectator. He is also widely credited with nearly single-handley establishing American theater criticism:
...Nathan radically rejiggered the DNA of stage reviewing; he is the pit bull of homegrown theater reviewers, an erudite firebrand whose take-no-prisoners approach to stagecraft and the craft of criticism demolished the genteel reviewing style of 19th century performance-fixated scribes like William Winter and J. Ranken Towse. Now that critical gentility — rejuvenated by economic boosterism — has reasserted itself it’s not surprising that Nathan isn’t receiving credit for his resolute deviltry.
    Theater Commentary: George Jean Nathan: The Divine Devil of American Theater Criticism (Bill Marx, May 29, 2008, ArtsFuse)
Ironically, the one piece you still find anthologized these days concerns not theater nor the literary scene, nor even the political, but baseball. Though in Baiting the Ump you do get a nice flavor for his sardonic sense of humor and the sort of jovial contempt for the masses that we associate with Mencken:
According to bleacher law, there are three particularly justifiable motives for doing away with umpires. An umpire may be killed, first, if he sees fit to adhere to the rules and make a decision against the home team at a close point in the game. Secondly, an umpire may be killed if he sends a member of the home team to the bench when the player in question has done absolutely nothing but call the umpire names and attempt to bite his ear off—an umpire has no business to be touchy. Thirdly (and this is a perfect defence against the charge of murder), an umpire may be killed if he calls any batter on the home team out on strikes when the player has not even struck at the balls pitched. That the balls go straight over the plate has nothing to do with the case.

It was estimated by a well-known baseball writer at the conclusion of last season that, judging solely from the newspaper records, three hundred and fifty-five umpires in the United States had been molested physically during the period stipulated. That is, three hundred and fifty-five of only the more spectacular instances had found their way into the prints. That the number of actual attempts to do physical injury to umpires was many times in excess of that chronicled cannot be doubted for a moment when it is remembered that there are, in this country, tens of thousands of professional and amateur teams which play a total of hundreds of thousands of games each season. And each game lasts at least nine innings. What a magnificent field of opportunity!
As you can see, in an essay written in 1910, it's also a reminder that the good old days were anything but. Funny as his presentation may be, we would never tolerate anything like such behavior towards officials today.


(Reviewed:)

Grade: (B)


Websites:

See also:

George Nathan (2 books reviewed)
Sports (Baseball)
George Nathan Links:

    -WIKIPEDIA: George Jean Nathan
    -COLLECTION: George Jean Nathan (Cornell University Library)
    -AWARD: George Jean Nathan Award for Dramatic Criticism (Cornell University)
    -FILMOGRAPHY: George Jean Nathan (IMDB)
    -JOURNAL SITE: The Smart Set
    -ENTRY: Gorge Jean Nathan (Playbill)
    -ENTRY: George Jean Nathan: American writer (Encyclopaedia Britannica)
    -ENTRY: George Jean Nathan (Encyclopedia.com)
    -ENTRY: Nathan, George Jeanlocked: (14 February 1882–08 April 1958) (Martin Green, American National Biography)
    -OBIT: George Jean Nathan Dies at 76; Dean of Broadway Drama Critics (NY Times, April 8, 1958)
    -INDEX: George Jean Nathan (Project Gutenberg)
    -INDEX: George Jean Nathan (Internet Archive)
    -AUDIO INDEX: GEorge Jean Nathan (LibriVox)
    -ESSAY: Baiting the Umpire (George Jean Nathan, Library of America: Story of the Week)
    -ETEXT ESSAY: Baiting the Ump (George Jean Nathan, 1910, Harper’s Weekly)
    -ESSAY: George Jean Nathan on Eugene O’neill (George Jean Nathan, June 1, 1957, Esquire)
    -ESSAY: The Critic and the Drama: “Aesthetic Jurisprudence” (George Jean Nathan, Critical Stages)
    -ESSAY: Credo of George Jean Nathan (George Jean Nathan, February 1, 1946, Esquire)
    -ETEXT: The Critic and the Drama by George Jean Nathan
    -ETEXT: The American Credo by H.L. Mencken and George Jean Nathan (Project Gutenberg)
    -AUDIO: The American Credo by H.L. Mencken and George Jean Nathan (LibriVox)
    -QUOTES: 65 Interesting Quotes By George Jean Nathan (Wisdomly)
    -QUOTES: 30 Best George Jean Nathan Quotes (BookKey)
    -QUOTE: George Jean Nathan (AZ Quotes)
    -ESSAY: George Jean Nathan: A Candid Portrai: "George Jean Nathan is dead four years, but already he seems to have lived in a far-gone age.... I have no intention of writing a biography of him, but I would like to put down some facts and impressions that may keep future biographers from making fools of themselves" (Charles Angoff, December 1962, The Atlantic)
    -ESSAY: Are You H.L. Mencken and George Jean Nathan’s Ideal Woman? A Quiz (My Life 100 Years Ago)
    -ESSAY: George Jean Nathan: A True Critic (Charles Marowitz, June 11, 1998, Jewish Journal)
Between about 1910 and 1939, no one in the theater made a move without consulting George Jean Nathan. In the midst of scriveners, hacks and stringers, Nathan was the real thing: an erudite theater critic with more than 20 books to his credit, a fabled association with H.L. Mencken behind him (they co-edited “the Smart Set”) and a range of European-bred tastes that gave him a sophistication that few of his colleagues could rival. He not only promoted the early Eugene O’Neill, but was a close friend of the playwright’s and his staunchest champion. He elucidated G.B. Shaw for the masses and created the appetite that eventually established Sean O’Casey.

    -ESSAY: Re George Jean Nathan (Warren Boroson, June 26, 2014, Jewish Standard)
    -ESSAY: George Jean Nathan and the Dramatist in Hollywood (Schultheiss, John, Winter 1976, Literature/Film Quarterly)
    -ESSAY: Mr. George Jean Nathan Misrepresents: A Drastic Overhauling of the American Theatre, Conducted with Apologies to Mr. Nathan (EDWARD E. PARAMORE, Jr., July 1920, Vanity Fair)
    -ESSAY: George Jean Nathan (OWEN HATTERAS, Spring 2002, Menckeniana)
    -ESSAY: Theater Commentary: George Jean Nathan: The Divine Devil of American Theater Criticism (Bill Marx, May 29, 2008, ArtsFuse)
...Nathan radically rejiggered the DNA of stage reviewing; he is the pit bull of homegrown theater reviewers, an erudite firebrand whose take-no-prisoners approach to stagecraft and the craft of criticism demolished the genteel reviewing style of 19th century performance-fixated scribes like William Winter and J. Ranken Towse. Now that critical gentility — rejuvenated by economic boosterism — has reasserted itself it’s not surprising that Nathan isn’t receiving credit for his resolute deviltry.

    -INTERVIEW: Theater Interview: Writing about the American Stage: The American Stage: Writings on Theater from Washington Irving to Tony Kushner, edited by Laurence Senelick (Bill Marx, 6/12/2010, ArtsFuse)
    -ESSAY: H. L. Mencken, George Jean Nathan: A Legendary Ten-Year Literary Partnership (Library of America Blog, 0/10/2010)
    -REVIEW INDEX: George Jean Nathan (Publishers Weekly)
    -REVIEW: of Baiting the Ump by George Jean Nathan (Whispering Gums)
    -REVIEW: of A George Jean Nathan Reader. Edited by A. L. Lazarus. (Edward L. Shaughnessy, Indiana Magazine of History)
Nathan’s ubiq- uitous sarcasm, no doubt hilarious in once-a-week installments, can become a bit tiresome in this prolonged tour de force, but his columns, showcased for decades, made already good magazines a little racier: Harper’s Weekly, Smart Set, The American Mercury, Saturday Review, and Scribner’s. Nathan began his famous part- nership with H. L. Mencken in 1914, coediting Smart Set. In it he gave first exposure to young O’Neill, to James Joyce (two of the Dubliner stories were printed here for the first time), Maugham, Fitzgerald, and others.

    -REVIEW: of The World of George Jean Nathan (The Atlantic)
    -REVIEW: of The World of George Jean Nathan (Publishers Weekly)

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