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Of my free will, my own free will, I erred,
And freely do I here acknowledge it.
-Prometheus
Aeschylus is considered to be the father of Greek Tragedy as we know
it, if for no other reason than his introduction of a second actor onto
the scene. Up until his time, plays had consisted of just one actor,
changing masks if necessary. But in addition to being an innovator,
Aeschylus wrote one of the really pivotal works in the history of literature
and of the human quest to understand our purpose in the universe: Prometheus
Bound.
The parallels to the Biblical account of man's fall are obvious.
Prometheus is a Titan, more than human but less than God, like the angels.
He gives fire to mankind in violation of Zeus' orders, making man a threat
to the gods. Zeus punishes him by chaining him to a boulder where
vultures peck out his innards every day, only to have them grow back at
night, a little harsher than making the serpent crawl and banishing man
from Eden, eh? And so on...
The play opens as Prometheus is being bound by the reluctant Hephaestus,
god of fire, who is the first of several characters to beg him to repent
and apologize to Zeus. Not only does Prometheus refuse, he is outwardly
defiant of the king of the gods:
PROMETHEUS
These things are sorrowful for me to speak,
Yet silence too is sorrow: all ways woe!
When first the Blessed Ones were filled with wrath
And there arose division in their midst,
These instant to hurl Cronos from his throne
That Zeus might be their king, and these, adverse,
Contending that he ne'er should rule the Gods,
Then I, wise counsel urging to persuade
The Titans, sons of Ouranos and Chthon,
Prevailed not: but, all indirect essays
Despising, they by the strong hand, effortless,
Yet by main force-supposed that they might seize
Supremacy. But me my mother Themis
And Gaia, one form called by many names,
Not once alone with voice oracular
Had prophesied how power should be disposed-
That not by strength neither by violence
The mighty should be mastered, but by guile.
Which things by me set forth at large, they scorned,
Nor graced my motion with the least regard.
Then, of all ways that offered, I judged best,
Taking my mother with me, to support,
No backward friend, the not less cordial Zeus.
And by my politic counsel Tartarus,
The bottomless and black, old Cronos hides
With his confederates. So helped by me,
The tyrant of the Gods, such service rendered
With ignominious chastisement requites.
But 'tis a common malady of power
Tyrannical never to trust a friend.
And now, what ye inquired, for what arraigned
He shamefully entreats me, ye shall know.
When first upon his high, paternal throne
He took his seat, forthwith to divers Gods
Divers good gifts he gave, and parcelled out
His empire, but of miserable men
Recked not at all; rather it was his wish
To wipe out man and rear another race:
And these designs none contravened but me.
I risked the bord attempt, and saved mankind
From stark destruction and the road to hell.
Therefore with this sore penance am I bowed,
Grievous to suffer, pitiful to see.
But, for compassion shown to man, such fate
I no wise earned; rather in wrath's despite
Am I to be reformed, and made a show
Of infamy to Zeus.
Later he explains just what the possession of knowledge will mean to
mankind:
PROMETHEUS
Think not that I for pride and stubbornness
Am silent: rather is my heart the prey
Of gnawing thoughts, both for the past, and now
Seeing myself by vengeance buffeted.
For to these younger Gods their precedence
Who severally determined if not I?
No more of that: I should but weary you
With things ye know; but listen to the tale
Of human sufferings, and how at first
Senseless as beasts I gave men sense, possessed them
Of mind. I speak not in contempt of man;
I do but tell of good gifts I conferred.
In the beginning, seeing they saw amiss,
And hearing heard not, but, like phantoms huddled
In dreams, the perplexed story of their days
Confounded; knowing neither timber-work
Nor brick-built dwellings basking in the light,
But dug for themselves holes, wherein like ants,
That hardly may contend against a breath,
They dwelt in burrows of their unsunned caves.
Neither of winter's cold had they fixed sign,
Nor of the spring when she comes decked with flowers,
Nor yet of summer's heat with melting fruits
Sure token: but utterly without knowledge
Moiled, until I the rising of the stars
Showed them, and when they set, though much obscure.
Moreover, number, the most excellent
Of all inventions, I for them devised,
And gave them writing that retaineth all,
The serviceable mother of the Muse.
I was the first that yoked unmanaged beasts,
To serve as slaves with collar and with pack,
And take upon themselves, to man's relief,
The heaviest labour of his hands: and
Tamed to the rein and drove in wheeled cars
The horse, of sumptuous pride the ornament.
And those sea-wanderers with the wings of cloth,
The shipman's waggons, none but I contrived.
These manifold inventions for mankind
I perfected, who, out upon't, have none-
No, not one shift-to rid me of this shame.
CHORUS
Thy sufferings have been shameful, and thy mind
Strays at a loss: like to a bad physician
Fallen sick, thou'rt out of heart: nor cans't prescribe
For thine own case the draught to make thee sound.
PROMETHEUS
But hear the sequel and the more admire
What arts, what aids I cleverly evolved.
The chiefest that, if any man fell s ick,
There was no help for him, comestible,
Lotion or potion; but for lack of drugs
They dwindled quite away; until I taught them
To compound draughts and mixtures sanative,
Wherewith they now are armed against disease.
I staked the winding path of divination
And was the first distinguisher of dreams,
The true from false; and voices ominous
Of meaning dark interpreted; and tokens
Seen when men take the road; and augury
By flight of all the greater crook-clawed birds
With nice discrimination I defined;
These by their nature fair and favourable,
Those, flattered with fair name. And of each sort
The habits I described; their mutual feuds
And friendships and the assemblages they hold.
And of the plumpness of the inward parts
What colour is acceptable to the Gods,
The well-streaked liver-lobe and gall-bladder.
Also by roasting limbs well wrapped in fat
And the long chine, I led men on the road
Of dark and riddling knowledge; and I purged
The glancing eye of fire, dim before,
And made its meaning plain. These are my works.
Then, things beneath the earth, aids hid from man,
Brass, iron, silver, gold, who dares to say
He was before me in discovering?
None, I wot well, unless he loves to babble.
And in a single word to sum the whole-
All manner of arts men from Prometheus learned.
When Io, a mortal woman who has also been mistreated by Zeus, makes
her appearance, Prometheus intimates that her descendants will eventually
free him and unseat the king of the gods. It is this key perception--that
man has gained the capacity to achieve godhood himself--and the heroic
defiance of Prometheus in giving us the wherewithal to mount this challenge
that make the play so thrilling and earn it a central position in the Western
Canon.
But there is, of course, one vital step still to be taken in man's self-realization
and it occurs, not in Greek drama, but in Genesis. For in the Promethean
myth man is totally passive; it is up to the demigod Prometheus to force
the action. Whereas, while even Adam and Eve require some prodding
from the serpent, the essence of their story is that they are liberated
from the domesticated beastlike existence of Eden by an act of their own
free will. But we'll not let the best be the enemy of the good. Prometheus
Bound represents an important expansion of man's understanding of the
purpose of life, which is to use the gift of Prometheus (i.e. the capacity
for knowledge) to make ourselves gods, and it is a must read.
(Reviewed:14-Dec-99)
Grade: (A+)
Websites:
Book-related and General Links:
-Aeschylus
Page (Temple U)
-Aeschylus
(c. 523-456 B.C.)
-ETEXTS:
GREAT BOOKS INDEX Aeschylus (524--455 BC): An Index to Online
Great Books in English Translation
-The
Internet Classics Archive | Works by Aeschylus
-Concordance
to Aeschylus - 7 Plays - translated by Robert Potter
-t
h e c l a s s i c s p a g e s
-REVIEW:
Bernard M.W. Knox: Aeschylus Pinioned and Grabbed, NY Review of Books
Aeschylus: Suppliants translated by Janet Lembke
Aeschylus: Seven Against Thebes translated by Helen Bacon and Anthony Hecht
Aeschylus: Prometheus Bound translated by James Scully and C. John Herington
-REVIEW:
Prometheus at Yale (Francis Fergusson, NY Review of Books)
Prometheus Bound
derived from Aeschylus by Robert Lowell and directed by Jonathan Miller
-Study
Guide: Aeschylus, Prometheus Bound
-Study
guide for Aeschylus' Prometheus Bound (Robin Mitchell-Boyask, Temple
University)
- ESSAY:
Klytaimestra: A Study of Aeschylus' Agamemnon 1372-1576
-ONLINE
STUDY GUIDE: Agamemnon (Spark Notes)
-ESSAY:
THE HEART OF THE MATTER: Gods, Grief, and Freedom in Aeschylus' Oresteia
(Michael R. Deschenes, Classics Technology Center)
-ESSAY:
The politics of Aeschylus' Eumenides (Keith Sidwell, St Patrick's College
Maynooth, CLASSICS IRELAND1996 Volume 3 University College Dublin,
Ireland)
-ESSAY:
Ethics of Greek Theater (Sanderson Beck)
-ESSAY:
Greek Tragedy Lecture GREEK TRAGEDY: AESCHYLUS, WEAVING AND BIRTH
by Prof. Ricardo Nirenberg
-REVIEW:
The Oresteia By Aeschylus. A New Translation by Ted Hughes (Garry Wills,
NY Times Book Review)
-REVIEW:
of Forbidden Knowledge: From Prometheus to Pornography by Roger Shattuck
(Andrew Delbanco, NY Review of Books)
-REVIEW:
(Jasper Griffin: The Myth of Myths, NY Review of Books)
Splitting the Difference: Gender and Myth in Ancient Greece and India by
Wendy Doniger
The Implied
Spider: Politics and Theology in Myth by Wendy Doniger
-REVIEW:
of The Oresteia of Aeschylus translated by Robert Lowell (D.S.
Carne-Ross, NY Review of Books)
-REVIEW:
of The Ancient Concept of Progress by E.R. Dodds (W.H. Auden, NY Review
of Books)
-ESSAY
: The Second Fall of Rome : Have the past two centuries of Western
culture been one long saga of lionizing Greece while disparaging the cultural
prestige and classical values of ancient Rome? (Michael Lind, Wilson Quarterly)
Comments:
Aeschylus did not write Prometheus Bound. Since Mark Griffith's "The Authenticity of 'Prometheus Bound'" in 1977 scholars have been agreed that someone else wrote it, possibly a century later.
- Kratos
- Dec-13-2002, 18:41
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