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In an era when everything is an event, and nothing just happens naturally, it's hard not to be suspicious of the a novel that is the first ever to win both the Prix Goncourt and the Prix Medicis, by a Russian émigré who has been compared to Nabokov, Pasternak, and Proust.  Add in the fact, repeated in the novel, though apparently true, that after being turned away by French publishers, the author pretended to be only the translator of the novel, and that it was then published, and you've got a book that can't possibly live up to the hype that precedes it.

Makine, who fled the Soviet Union in 1987 when he was thirty, tells the semi-autobiographical tale of a young man who, along with his sister, spends summers in Siberia with his French grandmother, Charlotte Lemonnier.  Trapped there after the death of her Russian husband, Charlotte shares a world of memory with the children, memory of France prior to WWII.  In the intensely paranoid world of Soviet Communism, Charlotte's very Frenchness is deeply suspicious to her neighbors and the authorities.

The boy grows up loving his grandmother and the idyllic world she summons, but torn between this Francophilia and a youngster's need to conform and embrace his Russian side.  In his mind, the Russian aspect of his character comes to represent a kind of barbarism and a capacity for brutality, while the French aspect represents a gauzy humanism and a love of beauty.  It is this sense that shows him that it is right for the Soviets to fear their Frenchness :

    I became aware of a disconcerting truth: to harbor this distant past within oneself, to let one's soul
    live in this legendary Atlantis, was not guiltless.  No, it was well and truly a challenge, a
    provocation in the eyes of those who lived in the present.

Here in the West, it is blithely assumed that humanism and the good reside exclusively in the souls of progressives.  For Makine, and his narrator, precisely the opposite is true; in the East, at that time, it was necessary to look backwards to find values and a culture which exalted human being, while the progressives of the Soviet Union did all they could to extinguish them.

Memory is so personal that it's not too surprising that Makine's narrative sometimes seems overly  diffuse and obscure.  He lays on the Proust and Nabokov parallels a tad too heavily at times--a few less references to cork-lined rooms and moths wouldn't hurt; we get the message.  And I'm sufficiently Francophobic to find it amusing, rather than touching, that someone recalls France with such a golden glow.  But the lyricism of the writing, some memorable images, and the way the story implicates the tragedy of 20th Century Russia earn the book a qualified recommendation.

(Reviewed:)

Grade: (C+)

  

Websites:

See also:

French Literature
Book-related and General Links:
    -EXCERPT : Chapter One of Dreams of my Russian Summers
    -EXCERPT : Chapter One of Once Upon the River Love By Andrei Makine
    -EXCERPT : First Chapter: 'Confessions of a Fallen Standard-Bearer'
    -PROFILE : In the Eternity Known as Winter : Andrei Makine's Divine Siberiade (F.X. Feeney, LA Weekly)
    -PROFILE : Russia: Emigre Writer Seen As Another Proust (Charles Fenyvesi, Radio Free Europe)
    -REVIEW : of DREAMS OF MY RUSSIAN SUMMERS By Andrei Makine  (Victor Brombert, NY Times Book Review)
    -REVIEW : Tatyana Tolstaya: Love Story, NY Review of Books
       Dreams of My Russian Summers by Andreï Makine
    -REVIEW : of Dreams of My Russian Summers (Chuck Erion, January Review)
    -REVIEW : of Dreams of My Russian Summers (Lara Merlin, World Literature Today)
    -REVIEW : of THE CRIME OF OLGA ARBYELINA By Andrea Makine (Fernanda Eberstadt, NY Times Book Review)
    -REVIEW : of The Crime of Olga Arbyeline by Andrei Makine (Jean Charbonneau, The Denver Post)
    -REVIEW :  of The Crime of Olga Arbyeline by Andrei Makine (Michael Upchurch, Seattle Times)
    -REVIEW : of The Crime of Olga Arbyelina by Andrei Makine (Chris Bohjalian, SF Chronicle)
    -REVIEW : of ONCE UPON THE RIVER LOVE By Andrei Makine  (RICHARD BERNSTEIN, NY Times)
    -REVIEW : of ONCE UPON THE RIVER LOVE By Andrei Makine (William Boyd, NY Times Book Review)
    -REVIEW : of ONCE UPON THE RIVER LOVE By Andrei Makine (Paula Friedman, Houston Chronicle)
    -REVIEW : of One Upon the River Love (Lev Raphael, Detroit Free Press)
    -REVIEW : of Once Upon the River Love (Nicholas Nesson, Boston Globe)
    -REVIEW : of Once Upon a River of Love by Andrei Makine (Michael Upchurch, San Francisco Chronicle)
    -REVIEW : of Confessions of a Fallen Standard-Bearer by Andreï Makine (Richard Bernstein, NY Times)
    -REVIEW : of Confessions of a Fallen Standard-Bearer by Andreï Makine (RICHARD LOURIE, NY Times Book Review)
    -Prix Goncourt in French
    -AWARD : Prix Goncourt

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