Gentlemen Prefer Blondes (1925)
Feminista 100 Greatest Works of 20th Century Fiction by Women Writers
I really think that American gentlemen are the best
after all, because kissing your hand may make
you feel very, very good but a diamond-and-safire
bracelet lasts forever.
-Lorelei Lee, Gentlemen
Prefer Blondes
Up until now, I'd figured that the most ignominious fate that a significant 20th century writer had suffered was that T. S. Eliot will be best remembered for the fact that a book of his poems inspired the musical Cats. Here's a worse one : Anita Loos, author of one of the funniest novels ever written, may be remembered as the author whose book inspired the musical which inspired the music video of Madonna's Material Girl. This after all is a book which while it was being serialized made Harper's Bazaar into a best-selling magazine, went through 45 editions in 13 languages (including Chinese and Russian) upon publication, which Edith Wharton referred to as "the great American novel," which a nearly blind James Joyce chose as his preferred reading during the brief period he was allotted each day, and which won praise from readers as varied as Winston Churchill, William Faulkner, George Santayana, and Benito Mussolini.
Even before she wrote this story, Anita Loos had already established herself as a topflight Hollywood screenwriter, working with the likes of D. W. Griffith and Douglas Fairbanks, and she numbered H. L. Mencken among her many literary friends. In fact, the book is at least in part intended to poke fun at Mencken. Loos had previously noticed, with some amusement, the intellectually snobbish writer's contradictory weakness for ditzy blonde babes. So when she found herself traveling cross country on the Santa Fe Chief with her husband (the director John Emerson), Fairbanks, several other gentlemen and one blonde starlet, she was struck by the fact that the men stumbled over themselves trying to help the other woman, while Ms Loos was left to lug her own baggage:
Obviously there was some radical difference between
that girl and me. But what was it? We were
both in the pristine years of early youth; we were
about the same degree of comeliness; as to our
mental acumen, there was nothing to discuss : I
was the smarter. Then why did that girl so far
outdistance me in feminine allure? She was
a natural blonde and I was a brunette.
Loos promptly began writing the first notes for what would become the hilarious adventures of Lorelei Lee, the flighty but conniving blonde to whom "Fate keeps on happening," and, when finished, sent them to Mencken, who was then editing The American Mercury.
He told her, "Little girl, you're making fun of sex, and that's never been clone before in the U.S.A.," but also suggested that she submit the story to Harper's Bazaar. The editor, Henry Sell, liked the initial story so much that he got her to write several more installments and serialized them in the magazine. The rest, as they say, is history...
The resulting novel reminds me a great deal of Ring Lardner's You
Know Me, Al (see Orrin's review).
It is presented in the form of Lorelei's diary, so is entirely in her unique
voice, with tortured syntax, creative spelling and unintentionally revealing
insight. Lorelei, like Lardner's antihero, is surpassing ignorant
of culture and most of the world beyond her particular haunts, but, unlike
Jack Keefe who is genuinely unenlightened about himself, she betrays a
profound understanding that her looks and her general availability enable
her to extract just about anything she wishes from gentlemen. And
the most important similarity is that this is just a funny book, certainly
one of the funniest ever written by an American author.
(Reviewed:29-Aug-00)
Grade: (A)
