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Mammon’s greatest power is the influence he can exert over the human mind and heart. He inspires envy, greed, and lust so potent that even good men can be driven to corruption. Usually, Mammon’s evil grip leads to obsession; once you fall under his spell, you will struggle to focus on anything other than the treasure he has used to tempt you, and you will do almost anything to get your hands on it. Because of this ability to monopolize a person’s energy, many theologians described Mammon as “enslaving” men.
    -ESSAY: Mammon (Prof. Geller. January 4, 2017, Mythology.net)
While it was often claimed that Cormac McCarthy's novels were unfilmable, the Coen brothers version of No Country for Old Men was immediately hailed as a classic. This mystery was cleared up when it was revealed that the work began life as a film script, which the author converted to a novel when no studio was interested. It not only reads that way but Mr. mcCarthy told the Wall Street Journal that when Ethan Coen returned to his seat after winning the Academy Award for best screenplay he said, “Well, I didn’t do anything, but I’m keeping it."

Both novel and film move propulsively forward with set pieces of violence before arriving at more elegaic final sections (longer in the book). The story amalgamates elements of the Western--particularly the setting--and horror--Anton Chighur is essentially a monster--but it is essentially a noir. Llewelyn Moss (Josh Brolin) is a decent enough man, but he makes a terrible mistake. While out hunting antelope--using the sniper skills that had served him in Vietnam--he stumbles across the wreckage of a drug deal gone bad: seven dead men and one dying; shot up vehicles; numerous guns; a bale of heroin and two million dollars in cash. While the dying man pleads for "agua," Llewelyn takes the money and heads home to hide it in his trailer.

In one variation from the film noir trope, his young wife, Carla Jean turns out to be a thoroughly devoted and decent woman. And Llewelyn retains his own decency to the degree that he returns to the scene with water, even knowing the danger he's placing himself in.

Where are you goin' baby?

Something I forgot to do. I'll be back.

What are you goin to do. [...]

I'm fixin to do somethin dumbern hell but I'm goin anyways. If I don't come back tell Mother I love her.

Your mother's dead Llewelyn.

Well I'll tell her myself then.
Sure enough, once there he has a confrontation with cartel members and has to leave his truck behind so both the crooks and the cops know who has the money and the chase is on. Llewelyn's fatalism and the inevitability of all that follows reminded me of nothing so much Walter Neff in Double Indemnity, who likewise knows that he's not likely to get away with his fateful decision.

Sure, there is no femme fatale in this story, but there is greed and Mr. McCarthy is not subtle about the temptation to evil that the money exercises. He invokes Mammon more than once (see the definition above) and then, if that's not blunt enough, the Devil himself:
I think if you were Satan and you were settin around tryin to think up somethin that would just bring the human race to its knees what you would probably come up with is narcotics.
Llewelyn, having succumbed, is Fallen and the evil he brings into his world--in the form of the underworld enforcer Chigurh--is every bit as terrifying and relentless as the demon in The Exorcist.

Part of the genius of the novel/film is that, while it is grounded in this Biblical territory, it does nod to horror movie conventions by giving Chigurh a gimmick, the captive bolt gun powered by an oxygen tank with which he commits several murders and which he repeatedly uses to shoot out door lock mechanisms. It is his version of Leatherface's chainsaw, Michael Meyer's knife, Freddy Kreuger's claw. Carson Wells, the other enforcer in the story is recognizably human and almost decent seeming, but not Chigurh. As he pursues Llewelyn across West Texas he leaves a string of corpses in his wake and in the most memorable scene in book or movie he forces a gas station owner to wager his life on a coin flip for no other reason than that he doesn't like a too personal question he's asked. Nearly anyone else who witnesses him in action is doomed.

In the hands of a writer aiming for lesser game, Chigurh might be nothing more than a psychopath, who kills for no comprehensible reason. But Chigurh in not simply immoral or amoral; he actually lives to a code. As Wells explains to Llewelyn when he catches up to him in a Mexican hospital after a shootout with Chigurh:
This man won't stop looking for you. Even if he gets the money back. It won't make any difference to him. Even if you went to him and gave him the money he would still kill you. Just for having inconvenienced him. [...]

There's no one alive on this planet that's ever had even a cross word with him. They're all dead. These are not good odds. He's a peculiar man. You could even say he has principles. Principles that transcend money or drugs or anything like that.


Here we arrive at a lynchpin of the novel. All long, Sheriff Ed Tom Bell has served as our narrator and conscience as he tries to track down Llewelyn before the bad guys, mostly on behalf of Carla Jean, who doesn't deserve to lose her husband over one mistake. It was Ed Tom who invoked Satan when decrying drugs and he is appalled by much of modernity, right down towards incivility and body piercings. But Ed Tom does not reserve blame for the drug dealers, he indicts those who choose to use the drugs. And, in a devastating passsage, he tells about a woman sitting next to him at a conference complaining:
And she kept talking about the right wing this and the right wing that. I aint even sure what she meant by it. The people I know are mostly just common people.Common as dirt, as the sayin goes. I told her that and she looked at me funny. She thought I was sayin somethin bad about em, but of course that's a high compliment in my part of the world. She kept on, kept on. Finally told me, said: I dont like the way this country is headed. I want my granddaughter to be able to have an abortion. And I said well mam I dont think you got any worries about the way the country is headed. The way I see it goin I dont have much doubt but what she'll be able to have an abortion. I'm goin to say that not only will she be able to have an abortion, she'll be able to have you put to sleep. Which pretty much ended the conversation.
In a lot of the criticism of McCarthy you see him accused of nihilism, but this is the exact opposite. Ed Tom, the hero of the story, is the anti-nihilist and he has just tied the lax morality of this woman directly to the devil Chigurh. Both, after all, have essentially adopted a set of "principles" that allow them to dispose of anyone who inconveniences them. That's rough stuff.

Of course, the nihilism accusation also gets tossed around because Chigurh ultimately walk away (well, stumbles), having killed Llewelyn, Carlson & even Carla Jean. The Devil/Evil, literally, has prevailed. But given the Christian themes he is explicating here, what other conclusion would be true? As in any noir, once Llewelyn chose to act as he did, and embraced evil, there was no escape. The actions of men do not heal the world and drive out the Devil. This too is the import of the coda that ends both the film and the novel, Ed Tom's dream about his departed dad:
[I]t was like we was both back in older times and I was on horseback goin through the mountains of a night. Goin’ through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept goin. Never said nothin. He just rode on past me and he had this blanket wrapped around him and he had his head down and when he rode past I seen he was carryin fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.
This is not the country for old men. It lies beyond this world. And the light of the Father illuminates the way...


(Reviewed:)

Grade: (A)


Websites:

See also:

Cormac McCarthy (3 books reviewed)
General Literature
Cormac McCarthy Links:

    -WIKIPEDIA: Cormac McCarthy
    -ENTRY: Cormac McCarthy (Encyclopedia.com)
    -TRIBUTE SITE: CormacMcCarthy.com (The Cormac McCarthy Society)
    -FILMOGRAPHY: Cormac McCarthy (IMDB)
    -WIKIPEDIA: No Country for Old Men
    -WIKIPEDIA: No Country for Old Men(film)
    -ENTRY: No Country for Old men (Encyclopedia.com)
    -The Cormac McCarthy Journal (Penn State University Press
    -Cormac McCarthy Papers (Wittliff Collection, Albert B. Alkek Library, Texas State University)
    -Featured Author: Cormac McCarthy (From the Archives of The New York Times)
    -EXCERPT: No Country for Old Men (BookBrowse)
    -READERS GUIDE: No Country for Old Men Reader’s Guide BY CORMAC MCCARTHY (Penguin Random House)
    -POEM: Sailing to Byzantium by William Butler Yeats (Poetry Foundation)
    -WIKIPEDIA: The Road
    -BOOK SITE: The Road (Random House)
    -GOOGLE BOOK: The Road by Cormac McCarthy
    -ESSAY: The Kekulé Problem: Where did language come from? (CORMAC MCCARTHY, APRIL 20, 2017, Nautilus)
    -PROFILE: Cormac McCarthy Explains the Unconscious (Nick Romeo, 4/22/17, The New Yorker)
    -INTERVIEW: Cormac McCarthy on the Santa Fe Institute's Brainy Halls (NICK ROMEO, 2/12/12, Newsweek)
    -PROFILE: Cormac Country: Cormac McCarthy would rather hang out with physicists than other writers. He doesn’t do blurbs, book tours, or even Oprah. But with the publication of his blood-spattered new novel, No Country for Old Men, he gives his first interview in 13 years—since All the Pretty Horses turned him from cult figure into literary star. (RICHARD B. WOODWARD, AUGUST 1, 2005, Vanity Fair)
    -ESSAY: Cormac McCarthy, brutal but brilliant The harshness and hope of an American master (Chilton Williamson, Jr., 7/25/20, Spectator USA)
    -PROFILE: Hollywood's Favorite Cowboy: Author Cormac McCarthy, 76, talked about love, religion, his 11-year-old son, the end of the world and the movie based on his novel 'The Road.' He was just getting going. (John Jurgensen, Nov. 13, 2009 , WSJ)
    -VIDEO: Looking for Cormac
    -ESSAY: DARKNESS LAUGHABLE: THE COMIC GENIUS OF CORMAC MCCARTHY: As one of our greatest living writers has his work lifted into the ivory tower, let’s reflect on how it’s the light, not the darkness, that keeps us going back for more. (JAMES MCWILLIAMS, JUL 2, 2014, Pacific Standard)
    -INTERVIEW: Harold Bloom on Blood Meridian (Leonard Pierce, 6/15/09, AV Club)
    -ESSAY: Yeats' "Sailing to Byzantium" and McCarthy's "No Country for Old Men": Art and Artifice in the New Novel (Steven Frye, The Cormac McCarthy Journal)
    -ESSAY: Cormac and Oprah, Revisited (AUSTIN ALLEN, 16 January, 2012, Big Think)
    -VIDEO LECTURE: 17. Cormac McCarthy, Blood Meridian (Professor Hungerford, Nov 21, 2008, The American Novel Since 1945, Yale Courses)
    -ESSAY: No God for Anton Chigurh? (Jim Emerson March 28, 2008, RogerEbert.com)
    -ESSAY: No Country for Old Literalists (Jim Emerson, November 09, 2007, RogerEbert.com)
    -PROFILE: Cormac McCarthy: America's great poetic visionary: He is the ultimate pessimist, a reclusive soothsayer who makes even Hemingway look touchy-feely. Now, his apocalyptic novel, The Road, is coming to the big screen, bringing his bleak vision to a wider audience (Tim Adams, 19 Dec 2009, The Guardian)
    -ESSAY: Cormac McCarthy doesn't know the American south-west: Despite what he has said, plenty of writers before him had written about this region, and many did so a lot better (Christine Granados, 14 Apr 2010, The Guardian)
    -ESSAY: Who is the greatest American novelist? 3: Cormac McCarthy v John Fante (Matthew Spencer, 19 Dec 2013, The Guardian)
    -ESSAY: No Country For Old Men: 7 Big Differences Between The Book And Movie (HUGH SCOTT, JUN. 19. 2019, Cinema blend)
    -ESSAY: Book vs. Movie: No Country for Old Men (Matt Matros, Ploughshares)
    -ESSAY: The Antiwar Theme in Cormac McCarthy’s No Country for Old Men (ANQ A Quarterly Journal, October 2016
    -ESSAY: Cormac McCarthy's Venomous Fiction (Richard B. Woodward, April 19, 1992, NY Times Magazine)
    -ESSAY: In the Country of “No Country for Old Men” and On the Trail of Cormac McCarthy’s “Blood Meridian”: What I Did for My Summer Vacation (William J. Cobb, August 25, 2017)
    -ESSAY: "As Full of Grief as Age": "King Lear" as Tragic Ancestor to "No Country for Old Men" (Alexander L. Barron, The Cormac McCarthy Journal)
    -ESSAY: Cormac McCarthy’s "No Country for Old Men": Narrative Elements in Film and Novel (INESE ROMANOVA, Master's Thesis, 2013)
    -ESSAY: Amphora: American Furies: Justice in Cormac McCarthy’s No Country for Old Men And the Oresteia Trilogy (Karen Rosenbecker, 05/25/2018, Society for Classical Studies)
    -THESIS: Amoral Antagonists: Interrogating the Myth of the West in Cormac McCarthy's Fiction (John Thomas Arthur, University of Denver, 1-1-2017)
    -ESSAY: No Country for Old Men (Ryan Parker, october 2007, Journal of Religion and Film)
    -ESSAY: DEMOCRACY, JUSTICE, AND TRAGEDY IN CORMAC MCCARTHY'S "NO COUNTRY FOR OLD MEN" (Benjamin Mangrum, Autumn 2011, Religion & Literature)
    -PROFILE: Ten things that make Cormac McCarthy special: Novelist, recluse... guest on Oprah. Welcome to Cormac McCarthy country (Christopher Goodwin, 1/20/2008, Times of London)
    -PROFILE: A conversation between author Cormac McCarthy and the Coen Brothers, about the new movie No Country for Old Men (TIME, 10/18/07)
    -PROFILE: Writer Cormac McCarthy confides in Oprah Winfrey (Michael Conlon, 6/05/07, Reuters)
    -PROFILE: When Oprah Met Cormac: He's no Salinger. (Troy Patterson, June 6, 2007, Slate)
    -PROFILE: Way out, west: The novelist Cormac McCarthy is the best-kept secret of American letters, but his new book could change all that (GORDON BURN, 4/04/93, Independent)
    -PROFILE: Cormac McCarthy (BLAKE MORRISON, 14 August 1994, Independent)
    -PROFILE: Cormac McCarthy: American literature’s great outsider: Few writers have captured the grandeur and cruelty of the American frontier more vividly than Cormac McCarthy. As the film of his novel 'No Country for Old Men' sweeps the Oscars (Boyd Tonkin, 26 February 2008, Independent)
    -ARTICLE: 'The Road' as Outreach? (Lillian Kwon, 11/13/09, Christian Post)
    -ESSAY: Faith, Fear & Cormac McCarthy (Christopher Badeaux, January 7, 2009, The City)
    -ESSAY: The Hugo award winner that spawned a Pulitzer prize winner: Walter M Miller Jr's A Canticle for Leibowitz is a direct ancestor of Cormac McCarthy's The Road (Sam Jordison, 10/28/08, The Guardian)
    -ESSAY: Cormac McCarthy’s Paradox of Choice: One Writer, Ten Novels, and a Career-Long Obsession (Scott Esposito , Quarterly Conversation)
    -ESSAY: The New Nuke Porn: Our nuclear fantasies have gotten more hard-core. (Ron Rosenbaum, May 8, 2009, Slate)
    -ESSAY: Blood Meridian by Cormac McCarthy: John Crace saddles his horse and heads into the desert to hunt down Cormac McCarthy's 1985 XXX-rated western, Blood Meridian (John Crace, 9/24/09, guardian.co.uk)
    -ARCHIVE: The First Reviews of Every Cormac McCarthy Novel: FROM THE ORCHARD KEEPER TO THE ROAD (Bookmarks)
    -ARCHIVES: cormac mccarthy (London Review of Books)
    -ARCHIVES: Cormac McCarthy (The Guardian)
    -ARCHIVES: cormac mccarthy (The Guardian)
    -REVIEW: of No Country for Old Men by Cormac McCarthy (James Wood, The New Yorker)
    -REVIEW: of No Country for Old Men (Walter Kirn, NY Times Book Review)
    -REVIEW: of No Country for Old Men (Keith Phipps, AV Club)
    -REVIEW: of No Country for Old Men (Annie Proulx, The Guardian)
    -REVIEW: of No Country for Old Men (Julie Hale, BookPage)
    -REVIEW: of No Country for Old Men (Alan Cheuse, NPR)
    -REVIEW: of No Country for Old Men (Clive Sinclair, The Independent)
    -REVIEW: of No Country for Old Men (Kirkus)
    -REVIEW: of No Country for Old Men (Dean Polling, Valdosta Times)
    -REVIEW: of No Country for Old Men (Eric iles Williamson, LA Times)
    -REVIEW: of No Country for Old Men (James Tipton, Mexconnect)
    -REVIEW: of No Country for Old Men (William Deresiewicz, The Nation)
    -REVIEW: of No Country for Old Men (Richard A. Blake, America)
    -REVIEW: of No Country for Old Men (Publishers Weekly)
    -REVIEW: of No Country for Old Men (Bun Rutter, N+1)
    -REVIEW: of No Country for Old Men (William J. Cobb, Houston Chronicle)
    -REVIEW: of No Country for Old Men (Ira Boudway, Salon)
    -REVIEW: of No Country for Old Men (Sean Michaels, The Skinny)
    -REVIEW: of No Country for Old Men (Where Pen Meets Paper)
    -REVIEW: of No Country for Old Men (Cult of the New)
    -REVIEW: of No Country for Old Men (Beaverton City Library, OregonLive)
    -REVIEW: of No Country for Old Men (Diana Mican, Pajiba)
    -REVIEW: of No Country for Old Men (Andrew Bannon, The Roundup)
    -REVIEW: of No Country for Old Men (Medium)
    -ARCHIVES: cormac mccarthy (Daily Telegraph)
    -ARCHIVES: cormac mccarthy (Independent)
    -ARCHIVES: "cormac mccarthy (Slate)
    -ARCHIVES: Cormac McCarthy (Find Articles)
    -REVIEW ARCHIVE: for The Road by Cormac McCarthy (Metacritic)
    -REVIEW: of The Road by Cormac McCarthy (Phil Christman, Books & Culture)
    -REVIEW: of The Road (Janet Maslin, NY Times)
    -REVIEW: of The Road (William Kennedy, NY Times Book Review)
    -REVIEW: of The Road (Ron Charles, Washington Post)
    -REVIEW: of The Road (Chris Cleave, Daily Telegraph)
    -REVIEW: of The Road (Todd Shy, Christian Century)
    -REVIEW: of The Road (Michael Moorhead, Christian Ethics Today)
    -REVIEW: of The Road (Joseph Kugelmass, The Valve)
    -REVIEW: of The Road (Ten O'Clock Scholar)
    -REVIEW: of The Road (Image)
    -REVIEW: of The Road (Jennifer Egan, Slate)
    -REVIEW: of The Road (Slate Audio Book Club)
    -REVIEW: of The Road ()
    -REVIEW: of The Road (John Holt, California Literary Review)
    -REVIEW: of The Road (Michael Chabon, NY Review of Books)
    -REVIEW: of The Road (Alan Cheuse, NPR)
    -REVIEW: of The Road (Clive Sinclair, Independent)
    -REVIEW: of The Road (Ed Caesar, Independent)
    -REVIEW: of The Road (Adam Mars-Jones, The Observer)
    -REVIEW: of The Road (Mark Holcomb, Village Voice)
    -REVIEW: of The Road (Alan Warner, Guardian)
    -REVIEW: of The Road (George Monbiot, The Guardian)
    -REVIEW: of The Road (Victoria Hoyle and Paul Kincaid, Strange Horizons)
    -REVIEW: of The Road (Fl;orence Williams, Outside)
    -REVIEW: of The Road (Benjamin Whitmer, Modern Word)
    -REVIEW: of The Road (Dierdre Donahue, USA TODAY)
    -REVIEW: of The Road (Chris Barsanti, PopMatters)
    -REVIEW: of The Road (David Hellman, SF Chronicle)
    -REVIEW: of The Road (The New Yorker)
    -REVIEW: of The Road (Gail Caldwell, Boston Globe)
    -REVIEW: of The Road (Niall Griffiths, Daily Telegraph)
    -REVIEW: of The Road (Charles McGrath, The Scotsman)
    -REVIEW: of The Road ()
    -REVIEW: of The Road (Gordon Hauptfleisch, Blog Critics)
    -REVIEW: of No Country for Old Men by Cormac McCarthy (James Wood, The New Yorker)
    -REVIEW: of No Country (John Freeman, The Scotsman)
    -REVIEW: of
   
-REVIEW: of
   
-REVIEW: of The Crossing (Anthony Quinn, Independent)

FILM:


    -FILMOGRAPHY: Cormac McCarthy (IMDB)
    -FILMOGRAPHY: No Country for Old Men (IMDB)
    -FILMOGRAPHY: Ethan Coen (IMDB)
    -FILMOGRAPHY: Joel Cohen (IMDB)
    -FILM REVIEW ARCHIVE: Ethan Coen (Metacritic)
    -PROFILE: Coen Heads (David Edelstein, 9/21/07, New York)
    -VIDEO: A discussion about the film No Country for Old Men with Josh Brolin, Joel Coen, Ethan Coen and Javier Bardem (Charlie Rose, November 16, 2007)
    -ESSAY: Rescripting the Western in 'No Country for Old Men': How the Coen Brothers' ostensibly faithful award winning adaptation of Cormac McCarthy's No Country For Old Men diverges from its creator's rather questionable politics. (Sergio Rizzo, 13 Jan 2011, PopMatters)
    -ESSAY: Why Anton Chigurh is still an iconic movie villain, 10 years later: On the anniversary of 'No Country for Old Men,' we look back at Javier Bardem's terrifying character (Christian Holub, November 10, 2017, EW)
    -ESSAY: The ending of No Country for Old Men explained (MATTHEW JACKSON, MARCH 23, 2020, Looper)
    -ESSAY: No Country For Old Men Ending Explained: No Country For Old Men is considered a classic by many but the ending was divisive. We explore the final scene and what it really means. (PADRAIG COTTER, MAR 06, 2019, screen Rant)
    -INTERVIEW: James Franco on Cormac McCarthy, nasty reviews, and tackling necrophilia,/a> (Drew Fortune, 8/05/14, AV Club)
   
-PODCAST: No Country for Old Men (Bill Simmons, bill Hader and Chris Ryan, Jul 3, 2019, The Ringer)
    -FILM REVIEW ARCHIVE: No Country for Old Men (Metacritic)
    -FILM REVIEW: No Country for Old Men (Joe Morgenstern, WSJ))
    -FILM REVIEW: No Country for Old Men (Peter Rainer, CS Monitor)
    -FILM REVIEW: No Country for Old Men (David Edelstein, New York)
    -FILM REVIEW: No Country for Old Men (Roger Ebert)
    -FILM REVIEW: No Country for Old Men (AO Scott, NY Times)
    -FILM REVIEW: No Country for Old Men (Lou Lumenick, NY Post)
    -FILM REVIEW: No Country for Old Men (Mick LaSalle, SF Gate)
    -FILM REVIEW: No Country for Old Men (Ty Burr, Boston Globe)
    -FILM REVIEW: No Country for Old Men (James Berardinelli, Reel Views)
    -FILM REVIEW: No Country for Old Men (Anthony Lane, The new Yorker)
    -FILM REVIEW: No Country for Old Men (Lisa Schwarzbaum, EW)
    -FILM REVIEW: No Country for Old Men (Christopher Orr, The Atlantic)
    -FILM REVIEW: No Country for Old Men (Amy Biancolli, Houston Chronicle)
    -FILM REVIEW: No Country for Old Men (Rex Reed, NY Observer)
    -FILM REVIEW: No Country for Old Men (Jason Cowley, The Guardian)
    -FILM REVIEW: No Country for Old Men (Adam Sternburgh, Vulture)
    -FILM REVIEW: No Country for Old Men (Dana Stevens, Slate))
    -FILM REVIEW: No Country for Old Men (Michael Smith, Tulsa World)
    -FILM REVIEW: No Country for Old Men (Michael Wood, London Review of Books)
    -FILM REVIEW: No Country for Old Men (Peter Travers, Rolling Stone)
    -FILM REVIEW: No Country for Old Men (Richard Schickel, TIME))
    -FILM REVIEW: No Country for Old Men (Jamie S. Rich, Criterion Collections)
    -FILM REVIEW: No Country for Old Men (Todd McCarthy, Variety)
    -FILM REVIEW: No Country for Old Men (Paul Arendt, BBC)
    -FILM REVIEW: No Country for Old Men (MARJORIE BAUMGARTEN, Austin Chronicle)
    -FILM REVIEW: No Country for Old Men (Frederic and Mary Ann Brussat, Spirituality & Practice)
    -FILM REVIEW: No Country for Old Men (Tom Charity, CNN)
    -FILM REVIEW: No Country for Old Men (Jamie Russell, Radio Times)
    -FILM REVIEW: No Country for Old Men (Josh Tate, LAist)
    -FILM REVIEW: No Country for Old Men (Stephen Hunter, Washington Post)
    -FILM REVIEW: No Country for Old Men (Alan Noble, Christ & Pop Culture)
    -FILM REVIEW: No Country for Old Men (Emanuele Saccarelli, World Socialist Website)
    -FILM REVIEW: No Country for Old Men (Andrew Sarris, NY Observer)
    -FILM REVIEW: No Country for Old Men (jeffrey Overstreet, Christianity Today)
    -FILM REVIEW: No Country for Old Men (Leo Braudy, Film Quarterly)
    -FILM REVIEW: No Country for Old Men (Alan A. Stone, Boston Review)
    -FILM REVIEW: No Country for Old Men (rahul Hamid, senses of Cinema)
    -FILM REVIEW: No Country for Old Men (Louis Proyect: The Unrepentant Marxist)
    -FILM REVIEW: No Country for Old Men (Andreas Babiolakis, Films Fatale)
    -FILM REVIEW: Child of God (Sam weisberg, Village Voice)
    -FILM REVIEW: Child of God (Film Threat)

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